You might think that this work is the fruit of the imagination of a drunken savage. But among the rude abuse of the rules of art, we find in Lollipop Chainsaw, to our even greater surprise, exalted places worthy of the greatest genius.

The text was written just in the anticipation of remaster output this year. And, at the same time, as an accompanying text to immersion in the series Onee Chanbara.

Lollipop Chainsaw

After three evenings for Lollipop Chainsaw I understand three things. First-I definitely missed the games of the 6th and 7th generation consoles. They are incredibly adict and saturated with unbearable creative impulses that beat over the edge. The second is specifically like this, How here in the modern entertainment industry they no longer do. Third – bring more! I want more!

Juliet exudes labor enthusiasm
(u Xbox 360 There is no way to remove screenshots, so the images for design are taken from the network)

Hey PERV! Don’t be looking up my skirt!

This creation is a delightful, incomparable, ideal chain-zombie-short Courts 51-Similar schizophrenia in the best sense of the word, inspired by the atmosphere of the 70s and 80s from small American towns, the spirit of Rocabilly, as well as comedies / horror films about almost adult-year-old idiots and perky, but sultry cheerler. Lollipop Chainsaw -Rare for the hollow and the game of the 7th generation of consoles, which is impossible for today, in which you can ruin the dead under the mix of Needled 24/7 – Children of Bodom and remote guitar tracks from itself Akira Yamaoki, What cuts the riffs metallually, dirty, hot and with recognizable handwriting, and then abruptly gives the roll into psychodel, then to the funk, then in punk. Maestro all genres are submissive – I will definitely demonstrate this further in the text.

"Needled 24/7" groups Children of Bodom

Tell me, where the morning of the 18-year-old graduate, cheerful-chirler-chirler Juliet Starling, should begin? From the shower, breakfast and, of course, trips by bicycle towards the park, where the guy is waiting for her, not forgetting to press the zombies along the way until the two -wheeled friend turns into scrap metal. Without leading about loss and eyebrow, the girl will take out a neat, no less pink chainsaw from the pink handbag (without glasses with rhinestones) and will begin to dashingly tire the zombies to the left and right, not forgetting to stun them with shock, – literally! – Dance with pompons.

This is what the tie looks like during a zombie apocalypse on her birthday-when he still happens? The best decoration of the holiday will be explosions and ubiquitous panic. All bacchanalia occurs under a perirable barbershop-motif "Lollipop " groups The Chordettes, gently flowing into something heavier. The general breakdown of the Japanese interpretation of American cinema is perfectly emphasized in a good angry, but very successful, whilled black humor, which, again, is impossible today (Due to the broken proto-rustic policy in the West, so that the sensitive snowflakes of the depths are not offended once again for some senseless crap and did not arrange a “Bund” on Twitters). This humor is successful, bug, ubiquitous, audio-visual and, until the frantic of a parody-athee. For example, dying, zombies in the gym can say something like that at the most unpredictable moment:

– I’m Dying! And I’m Fucking Fat!
( – I am dying! And I b@#fat glory!)

Zombie in the gym

Or, for example, on a construction site, next to the boomboxes:

– I can find This Song of Katy Perry Out of My Head! What a Terrible Way to die.
( – I can’t throw out this song by Katie Parry out of my head! What a terrible way to die!)

Zombie on construction site, next to boomboxes

I am silent about the main characters themselves, that we can smack of extravagant vulgarities:

(Juliet) – Killing Zombies Gives Me Total Wood!
(Nick) – That’s a Weird Thing to Say

(Juliet) – The murder of a zombie causes me a reinforced concrete riser! (nipples, obviously)
(Nick) – This is what … not quite normal

Juliet and Nick at the very beginning of the plot campaign

The general tone of the narrative and the plot here are jokes to match – the game cannot be taken seriously, under any pretext. This is a bad, but a funny comedy that should be treated accordingly. And you should also be prepared for the ubiquitous, deliberately stupid, but successfully glued into the timing. After all, in what other work the young American will be briskly twitched in Japanese to the tenth knee of Chirliersh and study with the Asian species of a sensei-to-face sensation, as if he had just come running from some Karate Kid?

I’m a Zombie Hunter … Don’t Hate Me-E-E-E-E-E-E-E-E-E-E-E-E!

Ah, yes. Juliet guy named Nick from the very first minutes of the game – almost a corpse: he was bitten by the hand of a zombie. But it doesn’t matter: the chiefheroine with well -groomed handles drank his head with a chainsaw, until the infection reached the brain, conjured Zombie Hunter’s sorceress and now he is always with her – as a speaker hanging on her luxurious buttock. It is important to plunge the word about the English voice acting: it is not only excellent, it is excellent! The voices are selected for conscience, the actors perfectly understand what roles play and behave accordingly, without croaking and excess farce.

The gameplay is quite unpretentious: we are wearing a pretty julietta in linear levels and in a simplified-sylcher, we ruin the zombies using a chainsaw, reaping the super-naughty crop of inanimate heads and limbs, if you wish, deafening the zombies and jumping on them LEAPFROG AKI-in order to confuse them to confuse. The feeling of the battle is arcade, a little specific and requires a certain habit, but gradually adapt and enter the rhythm, groping the most winning combinations of strokes, of which there are a couple of dozen. Some of these blows are opened in separate special shops scattered in levels – for currency, which is falling from the zombie. Also in these same shops there is an opportunity to buy juliet of ammunition, lollipops in a pocket in order to heal once later, fan service suits, open new music for a custom playlist, gain improvements for combat characteristics, as well as special coupons that launch a variation of the Russian roulette and thereby helping to avoid death. The replenishment of the health of our cheers-excesses occurs with the help of the candies, which she just loves. They, as well as coupons, can be found scattered in levels.

Hey, Zombies, Put a Dollar in My Skirt and I Won’s! Haha! Just Kidding – I’d Kill You Anyway!

Hey zombie, put on the dollar in my skirt and I will not kill you! Ha ha! I’m joking – I’ll keep you all anyway!

But not one chainsaw and pompons will be fed https://casigoodcasino.uk/ by the player. Gradually, the arsenal is replenished with a special gun, which allows you to remove the zombies from the distance and is released from flying, violently bleeding from all cracks by creatures. It is great that almost every such mechanics is accompanied by some kind of mini-event-you need to protect Nick put on the headless body of a zombie-pitcher in an impromptu zombie beadball with constantly attacking the dead. Then, using the Juliet "jerk" mechanics, rush through a number of roofs of houses with high springboard, cighing on them like saigas. Then play the heads of the zombie in a kind of basketball, cutting the chainsaws and carefully removing the dead crumples – and so on. And in general, in what other game you can mow zombies on a grain harvester under You Spin Me Round (Like a Record) groups Dead or Alive?

I said that here are the bosses of the casuals? This one also speaks through vocaloid lotion and all of itself

The bosses do not lag behind the general fucker – in every damn time, these are the colorful, memorable type, but completely insightly dead, with whom you need to understand a unique way. What are the battles with local Viking in a rook that is supernaturally floating across the sky or a completely drug addict in a different dimension with zombojippi! Separate bosses even throw remarkable ommes to other games and elements of pop culture, among which there are many famous retro. What is characteristic, all this was filed with a good setting for the AA-release of 2012, with a modest production budget. The tactics and duration of the battle are different for everyone, but at the same time it is easily read and is understood.

You Spin Me Round (Like a Record) – Dead or Alive

The Way of the Fist – Five Finger Death Punch

Stop Reading, Start Doing Pushps – Destroy Rebuild Until God Shows.
I am one laughing over the name of the group “Destroy, build it up, until God is stuck?"

Riot Rhythm – Sleigh Bells

1.000 cigarettes – mstrkrft

Heroes of OUR Time – Dragonforce

Nemesis – Arch Enemy

Needled 24/7 – Children of Bodom

Mickey – Toni Basil

Empire State Human – The Human League

Cherry Bomb – Joan Jett and the Blackhearts

Rock ‘N’ Roll (Will Take You to the Mountain) – Skrillex

Speed ​​- Atari Teenage Riot

Pac Man Fever – Buckner & Garcia

Lollipop – The Chordettes

A full playlist is available here. Below I will give those tracks that "hooked" me. In places it is recorded noisily and as dirty as possible:

Lollipop Chainsaw Ost – Metal VII: Zombie Tackle [Akira yamaoka].
Colorful slaughter under the massacre

Lollipop Chainsaw Ost – Rock II: Burning Pompadour Zombie [Akira Yamaoka].
Like the melody of the composition

Lollipop Chainsaw OST – Rock IX: To the Rotten World [Akira yamaoka].

Lollipop Chainsaw OST – Rock VIII: Scattering Guts [Akira Yamaoka].
Pretty angry, but I remember how it was gorgeous for him to spread the dead creatures into pieces.

Lollipop Chainsaw Ost – Funk I: Happy Hand Club [akira yamaoka].
It sounds beautiful. Vigorously

Lollipop Chainsaw Ost – Funk II: Sparkling Sunglasses [akira yamaoka].
Yamaoca burns like not in himself.

Lollipop Chainsaw Ost – Funk III: Groovy Zombie Trap [akira yamaoka].
Indeed, Groovy! Jim Odobroe worm.

Lollipop Chainsaw OST – FUNK V: Retro Diapers [akira yamaoka].
Calm, slightly imposing track.

Lollipop Chainsaw Ost – Metal IX: Viking Zombies Sail on Lightning Seas [Akira yamaoka].
Meat-oh-o-o-oh! During the split -bas part, I activated the flashbacks from the zero to the track "Damage King" by Frank Klepacki for the game University at War: Earth Assualt (Listen from 0:44).

Lollipop Chainsaw OST – PSYCHEDELIC VII: The Queen’s Rotting Funhouse [akira yamaoka].
The threat is felt in this calm

Lollipop Chainsaw OST – PSYCHEDELIC VIII: Zombie Guts [akira yamaoka]

Lollipop Chainsaw OST – Punk IV: Junkyard Killing [Akira Yamaoka].
"Ordered" Pankuha. If anything, there is such a background – California punk. All of oneself positive and optimistic

Lollipop Chainsaw Ost – Punk V: My Friend is zombie? [Akira yamaoka]

Lollipop Chainsaw OST – Punk VII: Love for My Insane Lover [Akira Yamaoka].
Green Day ordered?

Lollipop Chainsaw OST – Punk VIII: Cannibalism101 [Akira yamaoka].
It is difficult to find a more "Pankovsky" riff than this.

The game was held on Xbox 360. Her technical condition is quite good. Works on Unreal Engine 3, So the characteristic texture-color correctional flavor of the engine on the spot. There are few recent, high -resolution textures are affected quickly, there are no “plugs”. Render gives out 30 frames per second, but it is felt ruined: the visual side is acutely needed by a small per -object and per-camera Motion Blur so that the movements of everything and the whole look smooth. On PS3 The situation is similar-you can play on old-cowls without fear for your nerves.

Personal rating: 7 out of 10. He twisted several points for a small, but stable -felt general clumsy game in the little things. This is especially applied by several phases in a pair of bossfites, but this is not particularly worthy of mentioning in the main text.

P. WITH. For some reason, short-format opinions leave me a slight feeling of incompleteness. You have too?